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罗马流浪汉 Brothers Till We Die

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  • 主演:迈克尔·福瑞斯特,路易吉·奥利杰勒·索夫南洛,布鲁诺·迪·鲁亚,泰勒·米德,Valentino Macchi Valentino Macchi<br,托马斯·米连
  • 导演: 翁贝托·伦齐 / Umberto Lenzi地区:意大利   类型:电影
  • 简介:

剧情介绍

简介:译  名 罗马流浪汉 / Brothers Till We Die
片  名 La Banda del Gobbo
年  代 1978
产  地 意大利
类  别 动作 / 惊悚 / 犯罪
语  言 意大利语
上映日期 1978
豆瓣链接 https://movie.douban.com/subject/3862279/
片  长 95分钟
导  演 翁贝托·伦齐 / Umberto Lenzi
演  员 迈克尔·福瑞斯特 / Michael Forest
      路易吉·奥利杰勒·索夫南洛 / Jimmy il Fenomeno
      布鲁诺·迪·鲁亚 / Bruno Di Luia
      泰勒·米德 / Taylor Mead
      Valentino Macchi Valentino Macchi
      托马斯·米连 / Tomas Milian
      卢西亚诺·卡蒂纳齐 / Luciano Catenacci
      索尔薇·斯杜滨 / Solvi Stubing
      弗朗切斯科·达阿达 / Francesco D'Adda
      皮诺·科利齐 / Pino Colizzi
      Massimo Bonetti Massimo Bonetti
      卡罗·加第 / Carlo Gaddi
      恩尼奥·安东内利 / Ennio Antonelli
      罗萨里奥·博雷利 / Rosario Borelli
      塞尔瓦托雷·比拉 / Salvatore Billa
      萨尔瓦托雷·博尔盖塞 / Salvatore Borghese
      内洛·帕扎菲尼 / Nello Pazzafini
      艾萨·丹尼埃利 / Isa Danieli
      Alessandra Cardini Alessandra Cardini
编  剧 翁贝托·伦齐 / Umberto Lenzi
      托马斯·米连 / Tomas Milian
制  片  人 卢西亚诺·马蒂诺 / Luciano Martino
音  乐 Franco Micalizzi Franco Micalizzi
摄  影 Federico Zanni Federico Zanni

简  介 

  The film doesn't feature the greatest script ever written (not even the greatest script ever written for a trashy Italian film!), but the silly dialogue is often very funny and the film's absolute disregard for political correctness when it comes to the lead character's disfigurement is just great. Obviously, a lot of this film's success (or lack of) rests on the shoulders of Tomas Milian, and despite being given a rather heavy role; he doesn't manage to turn a great performance. His "Pigsty" character is a messy imitation of the "Garbage Can" character from Free Hand for a Tough Cop, while the hunchback character is a lot more like Milian's forte; but the make-up intrudes on the performance, and neither one comes off particularly well. However, I'd much rather have Tomas Milian in the role than anyone else, and he does always make the film worth watching in spite of its shortcomings. The plot flows nicely enough throughout and it's usually entertaining. Lenzi has also seen fit to throw in a sub-plot revolving around the hunchback's attitude towards his disability, which feels a bit odd but works fairly well nonetheless. Overall, this is a decent enough slice of Italian police action and I'm sure most people that see it will enjoy it.

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